\version "2.12.2" \header { title = "Can still see the light (Piano Version)" subtitle = "From the Phantasy Star Online Soundtrack" composer = "Composed by Fumie Kumatani" arranger = \markup \right-column { \line {Transcription by Joel Spadin} \line \teeny {http://chaosinacan.com}} } \include "english.ly" RightA = \relative c' { << { b'1 ~ | b2 d4 e } \\ { 1 | b } >> | 1 | << { g2. b8 c } \\ { 2 ~ } >> | %5 2.\arpeggio f'8 e | << { d2 ~ d8 c b c } \\ { 2 ~ } >> | 4 2. ~ | 2 f4 g | } LeftA = \relative c { 1 ~ | | f | e | %5 \arpeggio | | a,8 e' b' c ~ c2 ~ | c2 r2 | } RightB = \relative c' { %9 \key fs \minor 2\arpeggio ~ 8 a' b cs | 2 cs4. e8 | 4. d'8 cs8. fs,16 ~ fs8 gs16 a | << { b4 cs2. } \\ { e,1 } >> | %13 \acciaccatura d8 2 ~ 8 gs fs e | << { a8 b gs2 } \\ { 2. } >> d'4 | 8.\arpeggio a16 ~ a8 d ~ d8. fs,16 ~ fs8 gs16 a | << { \set followVoice = ##t b8 cs cs4 \change Staff=lower 2^\markup { \italic R.H. } \change Staff=upper } \\ { fs'2 s } >> | } LeftB = \relative c, { %9 \key fs \minor fs8 cs' gs' a ~ a2 | e,8 cs' e a cs2 | r8 d, fs a d2 | a,8 e' b' cs ~ cs2 | %13 b,8 fs' a d ~ d2 | cs,8 a' b e ~ e fs4. | b,,8 fs' a d a, fs' cs'4 | gs,8 fs' b4 \stemDown cs,,8 \stemNeutral 4\fermata | } RightC = \relative c'' { fs4. fs,8 fs'4. e16 d | cs2. ~ cs8 b16 cs | a4. e16 fs a4. a8 | << { b8 cs cs4 ~ cs8 } \\ { e,2 ~ e8 } >> e8 a cs | %21 2 ~ 8 cs d e | 4. e16 d 4. d16 e | 4. d8 cs4. b8 | 2. ~ 8 fs16 a | %25 cs4.\arpeggio a16 b ~ 4. e,8 | << { 1\fermata } \\ { e4 ds2. } >> | } LeftC = \relative c, { \acciaccatura fs8 fs8 cs' gs' cs, a' cs, cs' cs, | e, cs' a' cs, cs' a gs'4 | d,,8 a' fs' a, fs' a, fs' a, | a e' b' e, cs'4 e, | %21 b8 fs' a fs d'2 | cs,8 gs' b4 as2 | b,8 fs' a d ~ d2 | \acciaccatura cs,8 cs8 a' b e a2 | %25 2\arpeggio cs | 1\fermata | } RightD = \relative c' { %27 2\arpeggio ~ 8 a' b cs | 2\arpeggio cs4. e8 | 4. d8 cs fs,4 gs16 a | << { b4 cs2. } \\ { e,1 } >> | %31 << { s1 | \voiceOne a8 b gs2 d'4 } \\ { \voiceOne 2 ~ 8 gs fs e8 ~ | \voiceTwo e1 } >> | 8. a16 ~ a8 d ~ d fs,4 gs16 a | 4 4 cs8 b | %35 } LeftD = \relative c, { %27 fs8\arpeggio cs' gs' cs, a' cs, cs'4 | e,,8 cs' gs' cs, cs'4 gs' | b,,8 fs' a d ~ d \parenthesize fs d4 | a,8 e' b' cs e gs e4 | %31 d,8 a' cs e ~ e2 | cs,8 a' b e ~ e4 fs | b,,8 fs' a4 a,8 fs' b4 | gs,8 fs' b4 8 cs es4 | %35 } RightE = \relative c' { %35 2\arpeggio ~ 8 a' b cs | 2 cs4. e8 | 4. d8 cs8. fs,16 ~ fs8 gs16 a << { b4 cs2. } \\ { e,1 } >> | %39 << { s1 | \voiceOne a8 b gs2 d'4 } \\ { \voiceOne 2\arpeggio a'8 gs fs e ~ | \voiceTwo e1 } >> | 8.\arpeggio_\markup { \italic rit. } a16 ~ a8 d ~ d fs,4 gs16 a | << { b8 cs cs4 b,4 cs4 } \\ { 2 es, } >> | %43 \once \override PianoStaff.Arpeggio #'arpeggio-direction = #DOWN 4.\arpeggio_\markup { roll down } gs'8 \voiceOne b e gs b | \acciaccatura { b'8[ fs] } e1\fermata } LeftE = \relative c, { %35 fs8 cs' gs' a ~ a cs e4 | e,,8 cs' a' cs e4 gs | b,,8 fs' a d ~ d2 | cs,8 a' b e ~ e2 | %39 d,,8 a' fs' a ~ a2 | 1 | 2\arpeggio | 2 | %43 \once \override PianoStaff.Arpeggio #'arpeggio-direction = #DOWN \set followVoice = ##t fs,8\arpeggio cs' gs' b \change Staff=upper \voiceTwo e4_\markup { \italic L.H. } b'8 e | gs1 } UpperStaff = \relative c' { %\override Score.MetronomeMark #'transparent = ##t %#(set-accidental-style 'piano-cautionary) #(override-auto-beam-setting '(end 1 8 * *) 4 8) \tempo 4 = 80 \key a \minor \partial 4*2 ds4 e \RightA \RightB \RightC \RightD \RightE \bar "|." } LowerStaff = { %#(set-accidental-style 'piano-cautionary) #(override-auto-beam-setting '(end 1 8 * *) 4 8) \clef bass \key a \minor \partial 4*2 s2 \LeftA \LeftB \LeftC \LeftD \LeftE \bar "|." } \score { \new PianoStaff { \set PianoStaff.connectArpeggios = ##t \set PianoStaff.midiInstrument = #"acoustic grand" << \new Staff = "upper" \UpperStaff \new Staff = "lower" \LowerStaff >> } \midi { } \layout { } }